It’s called ANTICLOCK and it’s about time, mind control, extra-terrestrial communication and dog behaviour.
I’ve been hard at work on a new piano trio for members of the Britten Sinfonia – they’ll be performing it this week at three lunchtime concerts in Cambridge, London and Norwich:
Tuesday 23rd January, 1pm, West Road Concert Hall, Cambridge
Wednesday 24th January, 1pm, Wigmore Hall, London
Friday 26th January, 1pm, St Andrew’s Hall, Norwich
It’s called Five Loops for the Bathyscaphe, and features scientific ocean words and elliptical descriptions of the first journey to the deepest part of the sea, spoken by disembodied voices (mine and that of the wonderful actor Gemma Saunders). And watery music.
I was delighted to appear at the 2017 London Contemporary Music Festival last month – once again, the festival was a bold and thrilling programme of events, staged in the dramatic concrete bunker AmbikaP3.
I performed music by Robert Ashley and a solo set of songs by Jennifer Walshe, Travis Just and Christopher Fox – listen again to my set, broadcast this week as part of the Hear and Now strand on the Radio3 website here.
An update on what’s been going on in the last few months:
At the beginning of the Summer, I contributed sound and music to brilliant artist Marianna Simnett’s new film, Worst Gift, a visually stunning and characteristically disturbing fable, partly shot on location in a Botox factory. The installation at Matt’s Gallery comprised the film and a synchronised array of illuminated syringes.
I spent much of August-October in Berlin, working on Stepha Schweiger’s music theatre piece The Mark On The Wall, an atmospheric adaptation of the Virginia Woolf short story. I appeared as the narrator/speaker, my rumbling voice counterpointed against the wonderful soloist Anna Clementi, and players from the European Music Project. We performed a concert version in London (appropriately enough at RADA in Bloomsbury), before a fully-staged run in Berlin.
At the end of October, ace record quartet The Flautadors revived my 2001 piece De La Salle, in a new version: four recorder players utilising twenty-one instruments between them. This was part of their 20th anniversary celebration concert at Milton Court, the wonderful new concert hall in the shadow of the Barbican – and they’ve just recorded the piece too – take a look at their new album here!
Finally, I’m delighted to have been nominated for a second British Composer Award, for my vocals+sinewaves+postcards piece Affix Stamp Here, premiered by EXAUDI last year. Again, the whole shortlist is full of inspirational composers and music, look:
BBC Radio 3 broadcast the March 2017 Cafe Oto performance of my string quartet The Indistinguishables – you can ‘listen again’ for another couple of weeks here.
There’s also a little interview with me about the piece, conducted in the dark, al fresco, high up on the roof of Cafe Oto.
Thanks to the brilliant ensemble Phaedra for the dedicated work and fantastic performance.
I’ve written the soundtrack for Jasleen Kaur‘s stunning video piece, YOOROP, which is currently installed in Room 10a (Noble Living, 1350-1500) at the V&A museum, London. (It’s projected onto the ceiling.)
It was commissioned as part of the Collecting Europe project and is only being exhibited for a few days – catch it before February 7th!
Happy New Year!
I forgot to add a note here about the end of 2016 – I won a British Composer Award for the piece Freezywater, which Apartment House premiered at the Wigmore Hall back in February.
Gratitude to all involved!
I’m pictured here with Jennifer Walshe, Laurence Crane and Brian Irvine, who were also nominated: tremendous and inspiring company to be amongst!
EXAUDI perform Affix Stamp Here by me next Sunday…
Lots of things have been happening in the last few weeks – performances, projects-in-progress, new music… here’s just a few highlights:
I had the pleasure of joining the exciting new percussion ensemble Abstruckt for a gig at the enterprising 840 Series in Islington – we played two new songs by me, based on ‘righteous’ and rather alarming texts by the 1970s anarchist revolutionary group The Angry Brigade and Malcolm McLaren. Four drummers and my unamplified voice; I really “projected”, trying hard to aim my voice through the wall, like a bass siren going off. I’m hoping to make some more songs along these lines soon. Here’s a photo of us in action:
I’ve being working on a project (our second collaboration) with the fascinating and uncategorisable artist Frances Scott. Her new project is based around 16mm film footage, shot on location in Venice and Canvey Island. I wrote the music – also recorded on location in Essex. More details about this soon – it’s coming to the Focal Point Gallery in Southend in July.
Finally, I’ve been working on a new piece for the phenomenal vocal ensemble EXAUDI. Called Affix Stamp Here, it’s scored for voices and electronics, and consists of dreamy settings of the messages on postcards sent by British travellers and holiday makers throughout the 20th century. The final version will be ready for a gig on the 23rd October at LSO St. Lukes. They’re singing it very, very, beautifully. This is the one of the postcards providing inspiration…
If you want some more news about what’s coming up, follow me on the social medias, or subscribe to the emailing list. Lots going on.
There are two quite different things happening this week:
I’m doing a solo performance at interesting new music night ‘More News From Nowhere in Walthamstow/London’ this Wednesday, 24th February. First London show since last Summer, including the live version of the RED AND BLUE EP. Also on the bill, brilliant vocalist/improviser Sharon Gal.
Then, Saturday 27th February, Apartment House premiere my new piece FREEZYWATER, for strings, piano, percussion, reed organ and recorded voices. It’s a piece about London, déjà vu, silence repetition and surprises. They’re playing it at the plush Wigmore Hall, alongside some great music.